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一 | The debate around cinematic narratives and representation has taken a personal turn as Diljit Dosanjh recently shared a hard-hitting post on his Instagram stories. He shared a report highlighting the stark contrast between the reception of mainstream patriotic films and the ongoing struggle of his long-delayed biopic, Punjab 95. The post shared by Diljit draws a direct comparison between how certain roles are celebrated versus others that face hurdles. It points out that while Diljit receives widespread acclaim for his participation in high-profile patriotic projects like Border 2, his work on the biopic of human rights defender Jaswant Singh Khalra remains in a state of limbo. The shared content notes that Punjab 95 has been stuck with the CBFC (Central Board of Film Certification) for three years. This delay stands in contrast to the rapid success of other contemporary releases, such as Dhurandhar: The Revenge, which the post mentions is being celebrated even as Punjab 95 continues its battle with the censor board. Punjab 95, directed by Honey Trehan, delves into the life of Jaswant Singh Khalra and his investigations into sensitive historical events in Punjab. The film has reportedly faced demands for extensive cuts and changes, preventing its domestic release for almost 36 months. The post suggests a perceived disparity in how the film industry and regulatory bodies treat different types of stories. While films that align with established nationalistic themes often find a smooth path to the audience, biographical stories that explore complex human rights issues or historical grievances seem to face a much more rigorous and prolonged screening process. By sharing this specific critique, Diljit Dosanjh aligned himself with the conversation regarding creative freedom and the importance of telling diverse stories. For now, the contrast between the celebrated mainstream cinema and the stalled biopic of Jaswant Singh Khalra continues to spark a debate about the future of storytelling in Indian cinema. Also Read: Border 2 OTT Release: When & Where to Watch Sunny Deol’s Film?。

二 | 日前,民航局发布《民用无人驾驶航空器操控员和云系统数据统计报告(2023年)》(以下简称《报告》)。《报告》显示,我国民用无人驾驶航空器(以下简称“无人机”)产业蓬勃发展,无人机操控员规模持续增长,截至2023年底,共有19.44万人拥有无人机操控员执照,较上年增加5.6万人。《报告》同时通过无人机云系统运行数据统计分析,呈现了当前行业无人机运行发展情况与未来趋势,将为行业各参与方把握需求、制定策略提供参考。

三 | ·截至2023年底,各机型中,多旋翼无人机操控员执照数量占主导地位,占比达92.74%。从年龄结构来看,无人机操控员年龄分布广泛,涵盖1947年至2007年出生人群。

四 | 从地区分布来看,华东、中南地区2023年无人机操控员执照颁发数量领先,无人机应用相对活跃。·截至2023年底,全国共有95个无人机操控员执照考试点,其中30个为2023年新增考试点,较上年增长31.5%。

五 | 各机型中,多旋翼无人机操控员执照考试通过率较高,理论考试、实践考试通过率分别为84.70%、97.26%,反映出该机型在培训、考试方面相对成熟。·截至2023年底,全年共有约24.5万架无人机参与交换系统数据共享。2023年,交换系统上各云系统提供的有效数据为29.67亿条,换算成飞行时间为412.05万小时,较上年增加218.09万小时。其中多旋翼无人机占绝对主流,占总运行量的99.7%;从运行管理分类来看,植保类无人机运行量最大,占总运行量的98.27%,较上年增加近8个百分点,显示出农业植保领域对无人机的强烈需求。·交换系统数据显示,大多数无人机运行具有低空低速的显著特征,几乎所有2023年参与数据交换的无人机运行速度均小于15米/秒,符合当前无人机主要用于航拍、监视和农业等任务的特点。

六 | 从运行时段来看,目前我国无人机主要在昼间运行,2023年无人机运行的最高峰值出现在上午,峰值时间段为北京时间9时至11时;下午的峰值时间段为北京时间16时至18时。民航局飞行标准司相关负责人表示,随着无人机操控员队伍的壮大、技术应用的深化以及管理政策的完善,无人机行业将继续作为低空经济的重要组成部分,展现出强劲的发展潜力和广阔的应用前景。下一步,将继续跟踪分析无人机行业发展需求,进一步完善统计内容和数据质量,为行业和社会提供更有价值的信息参考。(中国小康网综合民航局网站、央视新闻)。
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